SYNOPSIS: Jack Torrance, moved with his wife and son , the imposing h otel 
Overlook in Colorado, to conduct maintenance of the winter season, which remains closed and isolated by the snow. His idea is to write his novel while caring for the facility during those long and lonely winter months, but since his arrival at the hotel, Jack begins to suffer disturbing personality disorders, while in place various phenomena begin to happen paranormal.
The Overlook Hotel (on the eyes) is completely isolated in the mountains, with the arrival of winter the deviation is even greater. We can not forget that this place has unique characteristics as being built on an Indian burial ground and is even decorated with motifs of the Apaches and Navajos.
Mr. Halloram when talking to Danny tells the places are like people some shine and some do not. Things happen and leave footprints, other things cease different brands that most people do not recognize but those with the radiance itself. Nor should we forget the murder made earlier by Charles Grady vigilante who butchers his daughters and finally kills his wife. Danny feels that foreign forces are in the hotel, his imaginary friend Tony appears to be the "other self" or "alter ego" of Danny shows you what really is - and hides - in the hotel.
Then we can say that the hotel is the engine for development, which occurs a distortion of time and space. The incentive to open unknown perception of repressed alter ego Jack, a man more ambiguous, with senses that seem to cover a greater inter-dimensionality. That is, the hotel has a dimensionality that acts on Jack, which increases their perception from being influenced by the environment, to see and feel the very size of the hotel.
Danny a more developed perception and sensory, elucidated "reality" of the hotel, and this disturbs him because he suspects the reasons for change loss of his father be dominated by the hotel, sees the past and present the bi-reality the hotel. At some point we believe that the isolation has caused the madness of Jack, and he's crazy product of the environment, being disturbed by a bowl effect where the environment acts on the individual. But as the story evolves we understand that it is much more ambiguous.
Jack feels he has been in the hotel before and feels that know what is in each corner. When Jack sees the layout of the garden maze understand that complex mind sees the labyrinth as a diagram impossible metaphor for the state and the danger to his family. Another example of metamorphosis is when Jack writes on a typewriter and Wendy interrupts, Jack gets the road and breaks first hysterically trying violently Wendy. Then the sheet is already on the typewriter, as if the hotel was feeding Jack leaves for work, then we see say; "all work and play Makes Jack a dull boy." is the beginning when Jack begins to be part of the hotel, I believe and begin to elucidate traits increasingly palpable reality of the hotel.
Moreover Danny runs the hotel and meets the Grady sisters who invite him to play with them forever. Tony helps you and says he is not real films that are only one album. In an attempt to Danny himself for refusing to glow elucidates facts you'd rather not feel, is the personification Tony, mold representing the isolation of self from an opposite Danny your ego, because fear. An example of this is that Danny began to talk to Tony since Jack hit him and dislocating his shoulder, which also generates Jack does not return to drinking.
When Danny goes in search of his truck, he meets a Jack with a lost look, he says he'd like to stay forever in hotel, giving a manifesto of the hotel itself, as the sisters 
Danny accepts the invitation of the open door Room 327, first entering the place seemed to be the last contact to forge the union of the dimensions the hotel and its essences present, unwittingly summoning the presence and concise action of the dimensions, generating strain Full of space and temporality. The action of the hotel is totally solid on them, that is already perceived, but now the dimensions come into a relationship of inter-dimensionality where together and their relationship gets stronger and more specific. At the same moment the door opens, Jack dreams of killing his family and quartered in the same way that Grady killed his daughters and wife. Danny receives physical contact of the hosts of the hotel being scratched and beaten, traumatized sucking her thumb comes representing Tony.
Jack wanders around the hotel, getting to the gold room - or ballroom - that seems to say in your post Cold room . Jack enters and sits at the bar, want a drink of liquor anxiously, when Jack says "sell my soul for a drink," raises the bar with all its spirits and Lloyd the bartender.
seems that Jack is known for some time, and called him by name and speaks with confidence. Lloyd served Bourbon - Jack leaving their drought of five months without having beaten Danny.
Jack begins to have physical contact with the concrete hotel, then comes his wife Wendy with a bat and tells him that a woman lives in the 327 and who tried to strangle Danny. By the time Wendy arrives on the scene, drinks the bartender and disappear, as if the hotel only to dialogue with Jack.
Jack entering the 327 is duped by the woman in the room, that plays with your perceptions, giving two different views. An important fact is that Jack sees the old rotten in the mirror's reflection, the mirrors are visible in several scenes and are present in several events in the metamorphosis of Jack.
Time again break violently, Jack sees the young woman out of the shower, but then when you go to the old rotted out of the shower.
In a strange mixture of times where she pursues and the other way out of the shower. Danny sees this from his room disturbed, turns to his other self, Tony.
After returning from the 327 Jack tells Wendy that there is nothing in the room, Wendy asks them to leave the hotel, that Jack leaves him angry and hitting objects into gold room is now full of people celebrating a glamorous party, Jack is concerned and this is not joins the party. It is part of the hotel community.
Then in the bathroom is being cleaned by the waiter who happens to be "Delbert" Grady. Dialogue while the song you hear is "Home", a track like Jack now being at home, Grady tells Jack that killed his family and then blew the brain. A clear ambiguity Jack's mind. Grady says no and that Jack has always been the caretaker of the hotel, after that Jack laughs. Grady tells her that Danny is trying to call the caregiver and therefore should scare him, Jack immediately due and accepts teach a lesson to his family.
In an attempt to punish her family by Wendy holds a giant Jack in the pantry, to which Grady frees, but criticized his demanding way of doing it more radical and to fulfill its work. The hotel makes Jack to help fulfill the mission entrusted freeing it from the pantry.
Danny's last attempt to save his family is trying to communicate telepathically with the caretaker of the hotel, it gets there on time, but Jack is killed by falling on decorated Apache .
Jack is dominated by his alter ego - manipulated by the hotel - openly pursues his family with a clear mission to eliminate them. Wendy in his escape from the clutches of Jack, is the most surreal image the film, see a giant teddy bear performing oral sex to an older man, Wendy the most skeptical and most closed to the perception of the three, is influenced by the hotel now realizing the real dimension of unreality the hotel, in the common sense of reality . Thus, the hotel tries to confuse Wendy to help Jack, but despite all costs Danny and Wendy manage to escape this new Jack - or Johnny-ending static and inert frozen in ice.
Captured In other words, we see a Photography of the 20's, where Jack is still part of the hotel, before and after. Being a member of the family hotel and temporality unseated the two dimensions that encloses the hotel, within this ghost ship as metaphorically call Wendy solo around the hotel. Is that Jack is still present, away from the timeline in a strange dimension that generates its own language completely removed from reality classical where two worlds meet and inter Lazan as the alter egos of Danny and Jack.
The work creates a discussion around what is real or not, the reality itself, 's work shows us as a major hallucinogenic drug, an essential significance for understanding life. A completely religious, not in the way of saints and statues, but in his own existence, and vital point to understand the concept of breathing.
Nothing is real, as is everything, everything is relative to perception developed environment, the shape and variability in the way they develop in the large bowl of living bodies . All is part of the game entirely subjective sense and sometimes a subjective collective box fed from birth and sponsored as reliable. What is away from the senses is really real or whatever you want to say, the sacred or unique. Totally religious basis. Everything else is part of the game, the same game as Kubrick shows us and makes us participate in it.
TECHNICAL
The Shining
YEAR 1980 DURATION 146 min. U.S.
COUNTRY DIRECTOR Stanley Kubrick Stanley Kubrick SCREENWRITER
& Diane Johnson (Novel: Stephen King) CINEMATOGRAPHER: John Alcott
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